
Misty Flats
Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in its day, he hit on something very special indeed.
[[Release Description]]Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in its day, he hit on something very special indeed.
âIn 1974, the world was weary, the Vietnam War was ending, America was at this place where it didnât know where it was heading, it was the fumes of Watergate days,â says Goldberg now. âIâd just left my band, and I didnât know where I was heading either. And thatâs what Misty Flats represents: neither high road nor low, but somewhere in between."
Where The Batch were a harmony-drenched power pop band in the mold of Big Star and The Rubinoos, Misty Flats was an album of ecstatic desolation, an unhinged loner-folk gem that came from a unique place: âI wanted to make the first punk rock album, and if Iâd recorded those songs with a band, maybe thatâs what it wouldâve been,â Goldberg says.
The album was, instead, recorded in mono in a two-day recording binge on a two-track Ampex tape machine. It features just Goldberg and his friend Michael Yonkers, author of the cult 1968 LP Microminiature Love, playing guitar, bass, harmonica, and vocals between them.
In it, we hear echoes of Goldbergâs childhood in Las Vegas, where trips to the movies were surrogate babysitters for his single mother. âHollywood" and âStars In The Sandâ dream of LA life, where âPop And Iceâ has a narrative straight from hard-edged â70s cinema about a drummer whoâs drafted into the army.
Back in â74, Yonkers had crushed several vertebrae at work and used his payoff to fund five albums: four of his own and Goldbergâs Misty Flats, which was pressed in a run of just 500. âWe were into art, not commerce,â notes Goldberg now, but at the time he was frustrated his album was allowed to drift off into obscurity. Goldberg forged ahead to record a 24-track rock album called Winter Summer which languishes in the vault to this day; Misty Flats, however, is finally widely available in this deluxe LP, CD, and download.
[[Selling Points]]- First ever vinyl reissue
- First time ever on CD/Digital
- Essay by Peter Relic interviewing Goldberg, including unseen archive photos
- 180-gram remastered album housed in a deluxe gatefold âtip-onâ jacket
- LP includes download card for full album
Original: $1.29
-70%$1.29
$0.39Product Information
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Description
Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in its day, he hit on something very special indeed.
[[Release Description]]Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in its day, he hit on something very special indeed.
âIn 1974, the world was weary, the Vietnam War was ending, America was at this place where it didnât know where it was heading, it was the fumes of Watergate days,â says Goldberg now. âIâd just left my band, and I didnât know where I was heading either. And thatâs what Misty Flats represents: neither high road nor low, but somewhere in between."
Where The Batch were a harmony-drenched power pop band in the mold of Big Star and The Rubinoos, Misty Flats was an album of ecstatic desolation, an unhinged loner-folk gem that came from a unique place: âI wanted to make the first punk rock album, and if Iâd recorded those songs with a band, maybe thatâs what it wouldâve been,â Goldberg says.
The album was, instead, recorded in mono in a two-day recording binge on a two-track Ampex tape machine. It features just Goldberg and his friend Michael Yonkers, author of the cult 1968 LP Microminiature Love, playing guitar, bass, harmonica, and vocals between them.
In it, we hear echoes of Goldbergâs childhood in Las Vegas, where trips to the movies were surrogate babysitters for his single mother. âHollywood" and âStars In The Sandâ dream of LA life, where âPop And Iceâ has a narrative straight from hard-edged â70s cinema about a drummer whoâs drafted into the army.
Back in â74, Yonkers had crushed several vertebrae at work and used his payoff to fund five albums: four of his own and Goldbergâs Misty Flats, which was pressed in a run of just 500. âWe were into art, not commerce,â notes Goldberg now, but at the time he was frustrated his album was allowed to drift off into obscurity. Goldberg forged ahead to record a 24-track rock album called Winter Summer which languishes in the vault to this day; Misty Flats, however, is finally widely available in this deluxe LP, CD, and download.
[[Selling Points]]- First ever vinyl reissue
- First time ever on CD/Digital
- Essay by Peter Relic interviewing Goldberg, including unseen archive photos
- 180-gram remastered album housed in a deluxe gatefold âtip-onâ jacket
- LP includes download card for full album